Le·la directeur·rice de plateau visionne le film en présence du·de la réalisateur·trice et de l’équipe de post-production. Il·elle centralise les demandes de post-synchronisations (techniques - son - rajouts - jeu) et d'ambiances. Le relevé des dialogues est annoté sur iPad, puis envoyé à l’équipe pour une cohésion totale.
Our team assesses recording times according to identified needs. We establish a schedule based on the availability of actors as communicated by post-production management. For loop group actors, we manage casting, invitations to recordings, drawing up of work contracts and remuneration.
We create a lip-sync band with Mosaïc software, or ADRs with EdiCue.
The ADR supervisor is in charge of dialogue synchronization in the recording studio while also supporting the director in ensuring consistency between live acting and post- synchronization. He/she makes sure that recording proceeds as scheduled. The recording session is managed using ProTools software.
We edit the recordings in-house using ProTools. Our team also uses Auto-Align for phasing, and Izotope RX as an add-on if needed. Sound editing is readjusted to match the latest image editing. Sessions are delivered via ProTools and can be exported as AAF if required.
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